Technology And Its Effect On Society Essay - 1864 Words

Technology Evolution Technology is turning people into more of multitasking machines, and less of social interacting people. As a twenty one year old college student in the year of 2015, I try to imagine of the days when technology wasn’t so accessible or available in any form. A time when everyone didn’t have smart phones in arms reach at every breathing moment. Most technology is extremely convenient and can become addicting, being as we are creatures of habit. We have all become accustomed to this convenience and speed it provides us. It seems in today’s time that when technology is around, we are not fully present. The process of an evolution seems to be beginning, due to the technological advances we have made as a society. Some may contest that the change is positive, and there are valid points to back that up. Although it may not directly relate, I cannot help but think of Newton’s Third Law and how it could be applied here: â€Å"For every action, there is an equal an d opposite reaction†. The technological strides we have made also came with an adverse evolution. Technology influences how we think by intensifying instant gratification, diminishing our attention span, and weakening our social skills. Instant gratification is defined as fulfilling satisfactions gained by impulsive behaviors, or in layman’s terms, choosing now over tomorrow. In today’s high pace society each person desires results, and they want them quickly. I feel social media and technology, cellphonesShow MoreRelatedTechnology : The Effects Of Technology And Society1283 Words   |  6 Pages The effects of technology with society has beneficial impacted the way we live. With technology is providing many advantages, but also it has some disadvantages it has on children and adults. There is little room for people that wish to live without technology, moreover than living the way they did in the old days. Technology has its advantages, it’s has changed the way people have communicated by email, social media, the way traveling has improved. Have you ever heard the saying ‘Children are bornRead MoreTechnology And Its Effect On Society871 Words   |  4 PagesWhat is technology? Is it the tool that propels humanity forward or is technology the cuffs that hold the everyday man from leaving his own comfort. Or is technology more than a tool, more than a mechanical device? Ray Bradbury s Works are known 4 expanding technology and using speculative fiction to reveal the way technology is consuming the everyday person. but what if Ray Bradbury was never talking about technology and its effect on society with society s effect on technology? It is assumedRead MoreTechnology And Its Effect On Society1386 Words   |  6 PagesTechnology is the collection of techniques, skills, methods and processes used in the production of goods or services or in the accomplishment of objectives, such as scientific investigation. Technology can be the knowledge of techniques, processes, etc. or it can be embedded in machines, computers , devices and factories, which can be operated by individuals without detailed knowledge of the workings of such things. Technology has produced many positive contributions to society and how it has grownRead MoreTechnology And Its Effect On Society Essay1239 Words   |  5 Pagesworld is increasing very rapidly, and new innovations are coming along each and everyday. Technology is the application of scientific knowledge for practical purposes, especially in industry (Oxford). There is no denying that the impact of technology in the world today is huge, now technology has made it to the palm of our hands with the iPhone and continuing to expand. My generation has grown up on technology so I can’t imagine how my life would be with out it, older people may say it has ruined theRead MoreTechnology And Its Effect On Society Essay1204 Words   |  5 Pagesthe world is increasing very rapidly, and new innovations are coming along each and everyday. Technology is the application o f scientific knowledge for practical purposes, especially in industry. There is no denying that the impact of technology in the world today is huge, now technology has made it to the palm of our hands with the iPhone and continuing to expand. My generation has grown up on technology so I can’t imagine how my life would be with out it, older people may say it has ruined the livesRead MoreTechnology And Its Effect On Society1473 Words   |  6 Pageswould surmise that technology has an overwhelmingly negative effect on society. Although there might be consequences that stem from technology, these negative effects only bring about more good than they bring about evil. This good transforms the world in ways people may never be able to comprehend. Technology will always be the epitome of human intelligence and it is this fact that should allow us to not only understand that technology is not dangerous to us but that technology should enable theRead MoreTechnology And Its Effect O n Society1176 Words   |  5 PagesTechnology is the sum of the ways in which social groups provide themselves with the material objects of their civilization. (â€Å"Technology†) In addition, technology has become a basic necessity for people all around the world. Not only does technology have positive effects on how people function in the world, but it also has many negative effects. On a similar topic, technology has improved the way we live tremendously, but people have become extremely dependent on it, almost to the point to whereRead MoreTechnology And Its Effect On Society1396 Words   |  6 PagesTechnology on its own cannot be beneficial or detrimental to the cognitive ability and the human relationship. Its effect on society depends on how and when technology is used. Technology continues to interact with our human experience in some way or the other. It is profoundly reshaping how we live today and giving rise to new strand of lifestyle and custom. With the rise of technologies, we expect to gain from its advances in the field of communication, social interaction, research and developmentRead MoreTechnology And Its Effect On Society1694 Words   |  7 PagesTechnological advances have certainly entered this era to facilitate people’s lives. There is no doubt that some new technology has been created to help operate or effectively manage time in a way that would be beneficial to humans. Technology significantly helps a number of people. A group that greatly benefits with the advances of technology is teenagers. Teens constantly use computers for schoolwork, networking, or knowing anything they want to know with a simple use of their fingertips. FurthermoreRead MoreTechnology And Its Effects On Society1372 Words   |  6 PagesTechnology Abuse Technology has rapidly increased over the past few years and has had a great impact on everyone in several ways. The impact of this applied science on people’s lifestyles has made several too dependent on technology. There needs to be a specific limit to technology that is reasonable but considerable for everyone. This new addiction is truly significant because this modern world of ours can have dangerous consequences that we are not aware of. In the past, many of the machines and

Plato s Allegory Of The Cave - 910 Words

Humankind was created with an innate curiosity about the world it inhabits. Do we know what reality is? The meaning of knowledge? The meaning of life? One might tackle the idea metaphorically. Explaining existing as a journey down the road. Or one who is diligent about understanding what things makes up the world. An example, as a kid, a curious person would take things apart like a piano and sometimes we put it back together. Building creative confidence in people requires strategy and time, and that’s what unlocks the nature within them to reach their potential. Allegory is to reveal a hidden meaning, normally a moral, based on fictional stories. Plato Allegory of the Cave reminds us that the theory of Forms is real and suggests†¦show more content†¦To correlate with Cronin’s statement, in Plato’s Cave, the soul is the place we do a lot of the thinking using true knowledge with perfect ideas. The body is separate from the mind and it desires phys ical things such as the aesthetics. For example, the shadows on the wall creates this illumination in the mind where the prisoners perceive them as perfect ideas. In Cronon’s essay, In Search of Nature, he breaks down the definition of nature with different ways of defining and comparing nature. To name a few, each representing different views from the population and their perception of nature. Cronon describes nature as naà ¯ve reality. He argues that people refer to nature as simplistic and unsophisticated. In contrast to Plato’s theory of Forms, these commoners cannot even see the real object itself. They see these shadows passing on the wall from the fire that keeps changing and flickering. These unenlightened prisoners are undoubtedly consistent with the opinion centric culture. In other words, the prisoners have different notions about the shadows but unable to support with facts or reasons behind their opinions. Another category Cronon describes as nature as a moral imperative. According to Cronon, â€Å"one need not travel a very great distance in speaking of ‘the nature of x’ to get from

Parody Case Essay Sample free essay sample

For centuries creative persons have parodied persons. groups. establishments and their actions. beliefs. and thoughts both to entertain and to offer critical commentary. For case. Cervantes pokes merriment at mediaeval love affair in hisDonQuixote.Chaplin challenges Hitler’s power by parodying him inThe Small Dictator.Barth. in a peculiarly elusive usage of lampoon. seemingly forswears and later reaffirms values associated with eighteenth-century British imperialism in his novelThe Sot-Weed Factor.and many a street-mime has mocked capitalistic values by parodying the businessman’s walk. Parody has so pervaded the western society that it has become the concern of 20th century literary theoreticians ( Knill A ; Henry. 1997 ) . It is a good known fact that. in their wider applications. the words ‘parody. ’ ‘burlesque’ . ‘caricature’ . and ‘travesty’ are frequently used interchangeably. But to compare the footings in this manner is to film over some really of import critical differentiations and to impoverish the significance of these words. Dr. Johnson defines lampoon as ‘a sort of authorship. in which the words of an writer or his ideas are taken. and by a little alteration adapted to some new intent. ’1In this definition the definer is so wide that it would every bit good use to. state. the mock-heroic. But a mock-heroic is non a lampoon. because it is non at all intended to roast or knock its original ; its exclusive purpose is to divert the reader by using a exalted manner to a fiddling subject. In other words. it turns a dignified genre to witty usage without degrading it in any manner. Many definitions of lampoon have paid deficient attending to its ancient heritage. Lack of attending to the historical background of the footings used to specify lampoon has been one of the jobs of lampoon definition. In general footings. lampoon may be defined as the amusing re-functioning of performed lingual or artistic stuff. The term re-functioning refers to the new set of maps given to parodied stuff in the lampoon and may imply some unfavorable judgment of the parodied work ( Rose. 1993. p. 52 ) . With the transition of clip. the definition of lampoon has become instead obscure. as a effect of paradigm displacement. The 20th century lampoon surveies saw the development of more positive attitude towards lampoon. This led both an increasing figure Numberss of publications and to a variegation of positions on lampoon. Paradoxically. the really obliqueness of the term â€Å"parody† seems to hike its communicative relevancy and entreaty. both for the general populace and in academe. There are huge literatures available in the field of Parody. and the captivation for the topic is foremost because it is an old phenomenon and there is no famine of research stuffs. Second. lampoon has survived over the ages because of the altering points of mention. Third. lampoon is non limited to literatures entirely but transcends all known genre boundaries. There are lampoons fundamentally in every cultural sphere. be it all right humanistic disciplines and advertizement. manner or movie. poesy or political relations. scientific discipline or vocals. narrations or intelligence. Because of its adaptability. it entreaties to bookmans from different Fieldss ( Mullar. 1997. p. 3 ) . One of the characteristics of lampoon is that it depends for its consequence upon acknowledgment of the parodied original. or at least upon some cognition of the manner or discourse to which allusion is being made. The greater the historical distance which divides us from parodic literature. the harder it becomes to retrace with any assurance the dianoetic temperaments or even the specific marks. from which lampoon emerges. and towards which. it is aimed ( Dentith. 2000. p. 39 ) . It’s the nature of every lampoon to permute the values of the parodied manner. to foreground certain elements while go forthing others in the shadiness. Parody is ever biased in some way. and this prejudice is dictated by the typical characteristics of the parodying linguistic communication. its accentual system. its construction. In lampoon. two linguistic communications are crossed with each other. every bit good as two manners. two lingual points of position. and in concluding analysis two speech production topics. It is true that merely the parodied linguistic communication is present in its ain right. while the other is present invisibly. as an actualizing background for making and comprehending. Parody is an knowing loanblend but normally it is an intra lingual 1. that nourishes itself on the stratification of the literary linguistic communication into generic linguistic communications and linguistic communications of assorted specific inclinations ( Bakhtin. 1986. p. 75 ) . Despite the fact that it was the usage of specific and satiric lampoon which frequently led to an work being dubbed burlesque and banned from the cannon of more literary signifiers. the construct or usage of general lampoon need non except that of specific lampoon. and particularly as it is the techniques of the latter which serve to make the ambivalent dependance of general lampoon on its mark as found in plants such as Don Quixote. In both it’s general and specific signifiers. lampoon. unlike signifiers of sarcasm. or burlesque. which do non do their mark a important portion of themselves. is ambivalently dependent upon the object of its unfavorable judgment for its ain response. In add-on to doing the mark of lampoon a portion of the lampoon text. the lampooner may take to uncloak. and deflate other authors by utilizing their plants ironically as a impermanent ‘word mask’ for the lampooner. Even explicitly critical lampoon can do the amusing disagreement between the parodist’s manner and that of mark text into a arm against the latter. At the same clip it can re-function the target’s work for a new and positive intent within the lampoon in a mode. which makes the parody’s unfavorable judgments of the parodied text to some extent ambivalent. This ambivalency may imply non merely a mixture of unfavorable judgment and understanding for the parodied text. but besides the originative enlargement of it into something new ( Rose. 1993. p. 51 ) . Most other of the specific features of lampoon including its creative activity of amusing inventiveness between the original and lampoon. and the manner in which its comedy can express joy both at. and with its mark. may be traced to the manner in which the lampooner makes the object of the lampoon a portion of the parody’s construction ( Rose. p. 54 ) . The relation between the lampoon and the parodied text is characterized by a combination of imitation and fluctuation. or analogy and difference. To understand a lampoon as lampoon. one has to detect the difference between analogy and difference. which means one has to hold a certain cognition of the pre-text. and to utilize it to comprehend the changes of the parodied text in the lampoon. The assorted possible maps of these changes have been taken as a footing for taxonomies. either to split the more general construct of lampoon in different types or to separate a more restricted construct of lampoon from related constructs. The standard for those systematic differentiations have been a amusing or non-comic map and a critical or non-critical attitude towards the pre-text ( Muller. 1997. p. 48 ) . Parody is a much more elusive critical device than ordinary literary unfavorable judgment. It does non explicitly analyze. interpret. and measure as literary unfavorable judgment does. It is experiential. Unlike literary unfavorable judgment proper. it is an internal critical device which. on the face of it. makes the parodee speaks with his ain voice. It does non interpret into dianoetic intending the value judgement achieved by a confrontation with the original. but criticizes sidelong by suggestion or deduction. Alternatively of the punctilious and scathing modern literary unfavorable judgment and its formidable non-literary techniques and slang. lampoon employs a purely ‘intra-literary’ technique within a narrowly prescribed border ( Reiwald. 1966. p. 129 ) . Of the two sorts of lampoon. written and verbal. verbal lampoon involves a extremely situated. knowing. and conventional address act which represents the object of lampoon and flaunts this representation in order to knock that object in a humourous manner. In utilizing the term verbal lampoon. it is referred to any act in which a talker uses a verbal look to pass on some parodic significance to a listener. This verbal look may be a mentioning look with or without a propositional content and may mention to anything or individual in the universe ( Knill A ; Henry. 1997 ) . In every happening of verbal lampoon. the talker conventionally makes usage of four indispensable Acts of the Apostless: ( 1 ) theknowing verbal re-presentationof the object of lampoon. ( 2 ) theflashingof the verbal re-presentation. ( 3 ) thecritical act.and ( 4 ) theamusing act.To successfully bring forth a verbal lampoon. a talker must pull strings all four of these Acts of the Apostless with the purpose to make a lampoon that is recognizable to the listener ( s ) . In add-on. the listeners must acknowledge the message associated with each of the four Acts of the Apostless of lampoon. every bit good as the speaker’s purpose to execute the four Acts of the Apostless of lampoon for the intent of pass oning a parodic message. While the talker can non guarantee successful consumption by the listener. he/she can verbally re-present the object of lampoon and show that re-presentation in a manner that maximizes the likeliness of successful consumption ( Knill A ; Henry. 1997 ) . Properly turn uping the boundary between lampoon and sarcasm and sarcasm has been the topic of extended treatment. While theoreticians differ in the manner they distinguish lampoon and sarcasm ( to the point of contradiction ) . the consensus is that the two Acts of the Apostless can typically be distinguished. No such consensus can be inferred from literature on the relationship between lampoon and sarcasm. Indeed. they portion cardinal features: they both require their audience to keep multiple representations. and they both ridicule their object ( Kruez A ; Roberts. 1993 ) . The similarities between lampoon and sarcasm have even led some to cut down them to one category. though merely in peculiar instances. Kreuz and Roberts claim that â€Å"parody is merely satiric when the mark extends beyond one individual or style† ; when lampoon becomes â€Å"satiric parody† . so lampoon and sarcasm become one and the same ( 1993. p. 104 ) . However. despite claimed similaritie s and countries of convergence. Kruez and Roberts ( 1993 ) do place types of lampoon and of sarcasm which are distinguishable. Kreuz and Roberts claim that lampoon and sarcasm differ in their range: whereas lampoon marks â€Å"the Godhead of the original work or the manner of the work† ( 1993. p. 104 ) . sarcasm reaches beyond this to roast society. Most good lampoons happen to be written out of esteem instead than antipathy or disdain. This is non so hard to account for. Where the original has any existent worth and differentiation. no lampooner can win who has non a reasonably equal sense of its typical virtues. Indeed. the compliment of existent lampoon consists in the attending given to the parodied work. One might even state that it is about impossible for the lampooner to do the mimetic attempt unless he has adequate understanding. or at least empathy. to ‘identify’ himself with the parodee’s work. In fact. some of the best English lampoons spring from a generous grasp which is kindred to love. Consequently the most successful lampoons are by and large of those authors whom the lampooner admires and whose mastermind he expects his reader. excessively. to idolize. It is merely because of this blend of fear and jeer that parodee’s have been able to fall in in the laugh occasioned by their lampooner s. and that. with really few exclusions. the greatest modern lampooners have made no enemies ( Reiwald. 1966. p. 128 ) . The usage of lampoon in popular civilization harmonizing to reviews leads to devolution of civilization. Many signifiers of popular art lampoon familiar functions and subjects. see itself superior to its milieus. They argue that lampoon is merely unequal as a manner of review. Paradoxically nevertheless. lampoon was redefined as a specifically station modern manner of unfavorable judgment. Parody has traditionally been denigrated because it is derivative in nature and depends upon already bing signifiers to carry through itself. Parody can be critically effectual because it undermines the romantic false belief of originality. therefore coercing a reappraisal of the procedure of textual production. By infixing itself into bing cultural texts. and signifiers. lampoon exposes the power relationships between those societal agents who possess the original and others who possess the parodic option ( Petty A ; Gerin. 2006. p. 184 ) . Parody has been with us now for over a millenary and is more likely to stay with us in different maps and signifiers instead than vanish wholly. Already lampoon is being used by post-modernists to notice on the weaknesss of modernism and to separate Post-modernism from them. Like most new cultural developments post-modernism has found a new mark and map for lampoon – in this instance the unfavorable judgment of modernism. The new type of lampoon found in post-modernism is moreover non satisfied to merely reflect on the procedures or constructions of the art work as was characteristic of lampoon under modernism – but is concerned to put modernism. and itself. within a self-reflexive history of art. It will therefore be interesting to see what farther developments are still to come in both the theory and the pattern of post-modernism. as excessively how good its hereafter critics will depict and analyse the complexnesss of both ( Rose. 1988 ) . Mentions Bakhtin. M. M.Address genres and other late essays. Texas: University of Texas Press. 1986. pp. 203 Dentith. SParody. Routledge. Taylor A ; Francis Group. 2000. pp. 211 Knill. D. F. R. A ; Richard Henry. The Pragmatics of verbal lampoon.Journal of Pragmaticss. Vol. 27. 1997. pp. 719-752 Kreuz. Roger J. A ; Richard Roberts. On sarcasm and lampoon: The importance of being dry.Metaphor and Symbolic Activity. 1993. vol. 8. issue ( 2 ) . pp. 97-109. Mullar. BParody: Dimensions and Positions. Dutch capital: Rodopy imperativeness. 1997. pp. 313 Petty. S A ; A. GerinCanadian cultural poesis: Essaies on Canadian civilization. Canada: Wilfred Laurier University Press. 2006. pp. 538 Reiwald. J. G. Parody as unfavorable judgment.Neophilologus. Vol. 50. No. 1. 1966. pp. 125-48 Rose. M. A.Parody: Ancient. modern and post-modern. London: Cambridge University Press. 1993. pp. 324 Rose. M. A. Parody/Post Modernism.Poeticss. 1988. Vo. 17. pp. 49-56

Sample Examples on Retail Management

Introduction The significance of retailing cannot be undermined. Both developing and developed economies are affected by the retail industry. The concept of retailing as stated by Risch (1991) is the potential ways and means to attract a customer, to purchase the products. Discount retailing and large retail chains have changed the dynamics of the retail industry, but these stores have come into foray after significant changes that have been noted in the dynamics of the industry. The history of retail industry dates back to the year 1800. This was the era where the concept of general stores was prevalent in the close vicinity. The concept of big department and discount stores emerged in the year 1902. Since then there has been a considerable change in the industry (Marc, 2011). Retail industry across the world is divided into two types of stores known as the Department and Discount stores. Back in the 1980s the retail revolution brought the next chain of events. Kotler Kelles (2006) has specifie d that the goods were being differentiated on the basis of males and females, as well as on the basis of the taste of the individual. Consumption took new paradigm similar to culture which was witnessing the transformation. Retail sales are the contributor to the economy as stated by Berman Evans (2006). As stated the retailing is generally divided into Departmental and Discount stores. Department store is a place where non food items such as clothes, products for the day to day use, and footwear are stored. These department stores can have products from multiple brands, while it can have the products of department store brand also. Department stores offer various categories of merchandise which are divided into various departments. These departments have their separate store managers (Britannica, nd). These stores are categorized on the basis of the products they keep. It can be general merchandise stores, kids stores, and fashion stores. Meanwhile, discount stores have been gaining the prominence offlate and are different from traditional brick and mortar stores that do not offer discounts. Discount stores as stated by Britannica (n d) sells the produces at a lower costs compared to traditional stores. The merchandise in these stores can be different. There are some stores that are providing a particular kind of products that are known as category killers. Discount stores are also of certain kind, which offer discounts to selected categories of customers. These stores are called closed door stores. Emergence of Modern Retailing The merchandise of the early retailers was of a single product, this situation continued till the post industrial age. The consumer preferences changed on account of increase in incomes. The location of the retail stores that were governed by few retailers like Sears, and J C Penny among others were based in large cities. The period that started from 1900 and ended till 1945 is marked for its innovation. The innovations in automobiles, and technology provided impetus for the retail stores to emerge. The concepts of one stop shop and optimal pricing emerged. After the era of the World War II, came the stage of the baby boomers and the concept of retailing yet again reshaped itself. Advertisements with the help of newspapers and Television became the part of the retailing. The period that continued till 1975 saw the evolution of new department stores and retail chains (IBM, nd) The late 1990s and early part of the retailing in the year 2000 brought electronic products in the markets. Discount stores gained prominence in that period. E-commerce presence increased and the retailing took a new leap forward as the people found discounts more attractive and comfort of shopping paved way for companies like Amazon (Wrigley Churrah, 2003). Looking forward in the year 2020 The analysis of the future is made on the basis of the past. Witnessing the changes in the environment it is pretty certain that the shoppers of 2020 will give more focus on the quality rather than quantity. Retailers will have to bring products that match the psyche of the changed consumer. The growth in the emerging markets such as China and India will be witnessed with the easing of the barriers. Brick and Mortar retailers that are already facing tough competition from the E-commerce markets will further experience depleting sales (IBM, nd) References Barry, B and Evans J 2006, Retail Management: A Strategic Approach, 10th ed., Prentice Hall. Pearson Education Inc., Dorling Kindersley Publishing Inc. Britannica (n d), Department Stores, [Online], Accessed on 18 August 2014. Britannica (n d), Discount Stores, [Online], Accessed on 18 August 2014. IBM nd, Retail 2020: Reinventing Retailing Once Again [Online], Accessed on 18 August 2014. Marc, L 2011, The Great AP and the Struggle for Small Business in America, Hill Wang. Kotler, P and Kelles, K L 2006, Managing Retailing, Wholesaling and Logistics, Marketing Management, Pearson Prentic Hall, Delhi, First Indian Reprint. Wrigley, N and Currah, A 2003, Globalizing Retail and the E-conomy: The Organizational Challenge of E-Commerce for the Retail TNCs, International Review of Retail and Distribution Management.