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JUDITH DUNDAS
Illusion
and
the
Poetic
Image
GENERAL
DISENCHANTMENT
with
the
whole notion of magic trick in the wiles has led not only art critics but literary critics to edge away from discussion of an depression so subjective and hard to define. As E. H. Gombrich remarks in his ledger Art and Illusion, aesthetics has surrendered its claim to be concerned with the enigma of convincing representation, the problem of deceit in art. 1 even so Lessing, for example, in spite of his attack on ut pictura poesis, speaks of deception as the principal end of poetry. 2 What he, and Coleridge as well, seemed to excite in mind was some kind of dream image, perchance not unlike what Suzanne Langer calls an apparition.3 It is the semblance of a universe or an all at once effect that for these critics distinguishes illusion in poetry from, let us say,...If you want to modernise a full essay, order it on our website: Ordercustompaper.com
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