Thursday, March 21, 2013

Pride and Prejudice

COMMUNITY AND COGNITION IN
PRIDE AND PREJUDICE
BY WILLIAM DERESIEWICZ
The opening of plume and Prejudice vies with Call me Ishmael as
the most famous first base sentence in English-language fiction, yet that
which makes it memorable also makes it incorrect within its
authors corpus. Each of Jane Austens other novels begins by
introducing one of its main(prenominal) characters.1 except Pride and Prejudice
begins with an aphorism: It is a truth universally acknowledged, that
a single man in possession of a heavy fortune, must be in take of a
wife. An aphorism, or rather a mock aphorism, for it is immediately
intimated that this truth universally acknowledged is in fact nothing
more than one of the fixed opinions of the neighborhood of
meet families amidst which the novels action is to take
place.2 The introduction of individual characters is delayed until the
third dissever (even then withholding the usual Austenian fanfare
of station, condition, and history), and the community turns out to be
the novels adjust point of departure.

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Indeed, the note on which this
opening ends, that our bachelor of dimension will himself become the
property of some one or other of the local young ladies, lends, if
only for a moment, a teasingly arbitrary air to the identity of the
specific family the fabricator finally does introduce. In other words,
Pride and Prejudice canister also be seen as beginning with the introduction
of one of its principal figures, only here that figure is a
community. One might bet this a strange choice given the protagonist
with whom we are to be concerned; of all of Austens heroines,
surely the brilliant, exuberant Elizabeth Bennett deserves star billing.
plainly as one tends to forget in retrospect-so thoroughly does her
armorial bearing dominate the novel as a whole, so turgid does her energy
and brilliance bulk in ones imagination-Elizabeth is very far from
beingness the center of attention in the early chapters, scarcely mentioned
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