Friday, December 27, 2013

Using Examples Explain How Different Forms of Popular Culture Have Constructed a Changing Imaginative Geography...

GEOG 10091 Place of Manchester Using examples explain how different forms of hot outcome have constructed a changing imaginative geography of Manchester. Representations of fate can never really claim to represent everyones city, they can however provide us with some clues retri notwithstandingive about how to navigate and respond to pgraphicsicular place (Milestone, 2008). This observation helps us understand that while the popular perceptions of Manchester are selective and embark onial, no(prenominal) the little television, art, music and film have created a salubrious mother wit of place and personal identity that define the city as northern, working-class and in more recent fourth dimensions beak and fashionable. In the first half of the nineteenth century, Manchester grew to become the just about industrial city in the world and the built surround of Manchester is heavily connected to its industrial past as the the memory board class of the world. In the last hundred old age popular culture in this city has rarely take flight its industrial past and decline, and has usually sought to celebrate it, devising stock-still the most seemingly forward looking and beginning art movements firmly rooted in its past and its ace of identity as a situation geographical place. mannequin 1, L.S. Lowrys Piccadilly Gardens Figure 1, L.S.
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Lowrys Piccadilly Gardens In his paintings, L.S. Lowry seems to encapsulate Manchesters industrial identity. His paintings appear to be faithful recordings of a particular time and geographical space, but many of these paintings wer e dreamscapes or confused paintings that we! re wishful in their imagining of a great industrial graphics that was libertine disappearing after 1913. The perception of Lowry today is complex, but in many ways gives us an insight into how Manchester is be two consciously and unconsciously. The paradox of Lowry is that while his painting, Piccadilly Circus (Figure 1) reached £5.6 one thousand million at auction in 2011 (Johnson, 2011); he is not considered part of the canyon of art. The art...If you want to get a full essay, order of battle it on our website: OrderCustomPaper.com

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