Geographical History of Cathedral of Notre-Dame

As Martin (1967, p. 7) maintains, "The first crude examples of Greek architecture within the ninth century BC took the type of chapels with simple rectangular or irregularly shaped shrines sometimes divided into two aisles by a central row of pillars, these have been first made of wood and later in stone." Similarly, the type of the Cathedral of Notre-Dame is simple, with squares and rectangular shapes and pillars constructed of stone.

Throughout all of the periods of Greek civilization and architecture, we are in a position to see the influence on the history and politics of the time and also the development of sculpting ability. The Hellenistic period saw several transformations in Greek architecture, several of them visible from the overall construction and model on the Cathedral of Notre-Dame. The blending of Doric and Ionic styles of columns, and also the rise of sculpture to decorate temples and buildings is visible in this period of Greek architecture. As Fyfe (1965, p. 108) asserts, "It is impossible to consider the capitals of Ephes us or Sardis as anything but pure sculpture." Likewise, the sculpture adorning the Cathedral of Notre-Dame is pervasive and skillful.

In conclusion, the Cathedral of Notre-Dame demonstrates some elements of ancient Greek architecture. Additional specifically, it also embodies a few of the incredibly ideas and beliefs that gave rise on the temples of ancient Greece; for instance the significance of structures devoted to a higher power, the need for these kinds of structures to accommodate its users, and specific layout and design in order to pay homage to a higher power. We also see how the temple of ancient Greece always united a city-state full of individuals or collective city-states; significantly like the Cathedral of Notre-Dame has done for centuries of Christians in Paris and elsewhere.

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