Introduction Why capital of Austria and why earlier the Sunrise (1995) - actually authentic city - scene about travelling; it represents 2 distinct cultures revealing a 3rd culture; - shows two noned/ must-see places, but in the same time unknown or not so famous places in Vienna; - inspiration Methodology - articles concerning both Vienna and film-induced tourism were examined; - the main concepts related to Vienna and Before the sunrise were inspected, namely authenticity, the tourist gaze, aesthetics and escapicism; Vienna - emotions and images composed â€" romanticistic city, aesthetic, escapicism; - represented almost only in the night- a trash mysterious, bit still revealing the beauty of Vienna; - Which human face of the terminus is being emphasized?
â€" the lesser known sights of Vienna; Vienna’s hidden corners, film locations well outdoor(a) from the tourists; - Audience- it is directed at everybody who has adventurous spirit, loves to travel and explore; the composition of the traveler, not the tourist; - De Botton (2002: 246): “The pleasure we derive from journeys is perhaps symbiotic more on the mindset with which we travel than on the destination we travel toâ€; De Botton (2002) notes that tourists often feel intimidated by guidebooks and cash in one's chips to react spontaneously and subjectively to destinations and sights, but instead prevail obedient to a prescribed route†â€" but the movie suggests and inspires for exactly the opposite : spontaneous, free, adventurous tourism; - The cultural tourist â€" actively seeking difference; interested in “ historical†experiences; (p. 35) - Gunn (1972): organic and induced images; organic images are formed from sources not directly associated with tourism interests, e.g. news, films, novels; people are more credibly to evaluate the information from these sources as relatively objective and frank when compared with traditional advertising; substantial information in a short period of time;...
â€" the lesser known sights of Vienna; Vienna’s hidden corners, film locations well outdoor(a) from the tourists; - Audience- it is directed at everybody who has adventurous spirit, loves to travel and explore; the composition of the traveler, not the tourist; - De Botton (2002: 246): “The pleasure we derive from journeys is perhaps symbiotic more on the mindset with which we travel than on the destination we travel toâ€; De Botton (2002) notes that tourists often feel intimidated by guidebooks and cash in one's chips to react spontaneously and subjectively to destinations and sights, but instead prevail obedient to a prescribed route†â€" but the movie suggests and inspires for exactly the opposite : spontaneous, free, adventurous tourism; - The cultural tourist â€" actively seeking difference; interested in “ historical†experiences; (p. 35) - Gunn (1972): organic and induced images; organic images are formed from sources not directly associated with tourism interests, e.g. news, films, novels; people are more credibly to evaluate the information from these sources as relatively objective and frank when compared with traditional advertising; substantial information in a short period of time;...
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