Impressionism (1870-1890) Mostly French artists Degas, Monet, Morisot, Pissarro, Renoir, Sisley.
Impressionist icons are brilliantly colored with paint applied in disconnected strokes that were mean to be combined in the viewers eye rather than by the painters brush. Whether their subjects were indoors or outside, these painters were primarily concerned with transient do (e.g. Monets painting series of Notre Dame Cathedral in Rouen at different times of the day) and the way that light or sun dematerializes their subject matter.
Post-Impressionism (all painters from France: Cezanne, Gauguin, Van Gogh, Seurat) - 1880s thro early 1890s
These painters shared dissatisfaction with the congeneric formlessness of Impressionist paintings its blurring of forms, which were the result of fragmented brushstrokes (which had replaced the traditional drop of a drawn line).
In contrast, the Post-Impressionists were not concerned with the documentary appearance of their subject matter. And how it looked at different time of the day.
lay the groundwork for a Modern Art largely establish on concepts, theories and the personal emotions of the artist, they each explored (unlike the Impressionists) in different directions:
E.g. Seurat evolved a mosaic-like technique- pointillism- evolved from theories of color and optics of his time. Cezanne experimented in ways to construct landscape and mute life compositions; Gauguin and Van Gogh focused on closed-door symbolism.
In practice, painting out of doors as favored by Impressionist painters was replaced by a slow and methodical painting process, which generally could take place only inside the studio.If you fatality to get a full essay, order it on our website: Ordercustompaper.com
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