In James Agees Southeast of the Island: Travel Notes and Anatole Broyards Sunday Dinner in Brooklyn, each author uses vivid imagery to portray Brooklyn. The writers deal three points in each piece - their view of the metropolis itself, family life in the borough, and their all overall feeling of Brooklyn.
First, the writers similarly beautify their perspectives on the city in descriptive prose. On cardinal hand, Broyard depicts the borough as inviting as a view of a ailing village would seem to a princess impris peerlessd in an osseous tissue tower. On the other hand, Agee explains that you only have to cross a bridge to know it: Behind you the whole of living is emaciated up straining into verticals, tightened and badgered in nearly every pillow slip of man and child and building.
Next, the authors express how family life in Brooklyn typically lacks stability. Agee speaks of a place in the city where unsuccessful marriages atomic number 18 dealt with: There is a special bank to which husbands come one day to deposit, estranged wives the next to be fertilized by this polite equivalent of alimony. It seems significant of Brooklyn that it is probably the only city that has such a bank.
Furthermore, Broyard refers to his own family, exemplifying their lack of solidity; over the years it seems as though the special bond they dual-lane deteriorated: When - and how - had our oneness become three? ... What alchemy isolated my affection beyond their - and my - understanding? In addition, he addresses his mothers smile and how the vivacious nature of it seemed to fade away: My mother was smiling, and as I watched her over a forkful of mashed potatoes, I realized that she was still pretty. I knew that smile from way back, I remembered how it had...
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