In Gothic novels sublime sexuality is an out of control gene that drives the affected characters to destruction. This is especially true of Lewiss The Monk and Dacres Zofloya. Both novels seek fearless sexuality and expressions beyond the limitations of everyday life. Dacres protagonist is a mother hating triple murderess who dreams of sexual congress with a d abomination of colour. Whilst Lewiss monk is a corrupt, murdering, sexual predator who is enticed by an evil prioress. There are many similarities between these works and as Dacre was better known as Rosa Matilda this seems to pronounce her as a character sprung full blown from the pages of The Monk.
The religious society in which Ambrosio lives is seen to be hypocritical, particularly about sexual matters. Nuns lust after young Theodore, the cruel abbess reveals her secret machinations, Ambrosio (who fantasises about copulating with a painting of the Virgin) breaks his vow of celibacy to succumb to Matildas temptations, commit incest, rape, matricide and murder. A villains blasphemies render his or her eroticism the more vivid and perverse. Although the monk spends much of the book in a confused Chaos of remorse, voluptuousness, inquietude, and fear, when extraneous from public scrutiny he cannot resist secret temptations.
Ambrosios coercion with eroticism make him perverted sexually.
Unknown to the women who confess to him: the eye of the luxurious friar devour their charms. Shockingly, this seducers gaze has been practiced in the privacy of his cell before a portrait, of all things, of the Madonna. There is excessively more of a hint of homoeroticism in the kindred between Ambrosio and Matilda: a sense of indulging in proscribe pleasure that can only lead to a inquisitive end in such a hypocritical society (Sim 2000). self-importance deluded, conflicted and vulnerable, Ambrosio states that he can...
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