Rodin's "Thinker"

?The Thinker is a larger than life-size bronze forge of a nude male figure sitting on rock. The figure sits hunched over leaning on his discipline palm and his left arm resting on his leg, hand clenched in a fist. The Thinker?s body is immense, with change form well defined musculature and fluid composition; he appears very strong and solid. The surface of the bronze is unrefined remote the smoothness of Greek, Roman or classical forms but bares whatever of the same features. The figure, as the name suggests, sits in deep thought, his press pressed against his mouth and brows lowered in concentration. There is a tension in the figure?s body, as if he could suddenly rise and lift himself from the rock to embark upon whatever he was thinking about. Rodin created sculptures with similar materials, utilizing surface quality, interpretations of their own senses of reality and investigation of the human form as vehicles for expression.

Rodin?s sculptures tie work from the Romantic 19th carbon to the 20th century?s push toward Modernism. During a time when sculpture was away of architecture design or used for decorative humanity dedication Rodin created sculpture as art itself. He took sculpture from this realm and placed it in an environment to be look up to on its own.



Rodin also departed from the style of classical make up of the figure for a more natural relaxed everyday pose, which resulted in accusations of casting directly from his models.

The certain idea for ?The Thinker? came from Dante?s ?The Divine Comedy?. During the 19th century Europe rediscovered artifice and Writing from the Middle Ages like Dante?s Inferno from which the original concept for ?The Thinker? was derived. In 1880 Rodin was commissioned to create a set of bronze doors for a new museum depicting the metrical composition?s story.

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