L. Frank Baum's Creation of Magical Places

Also important to the victory of the story are the clever Scarecrow, the kind Woodman, and the brave social lion who search diligently for things they already possess (Harmetz 294-295).

The continuing popularity of the Oz books has in like manner been maintained in spite of certain inconsistencies and paradoxes in the writing. It has through so because Baum knew his audience and always put forth the all important(p) theme of youthful entertainment: "Yet once discovered, the author's allegorical intent seems clear, and it gives depth and lasting interest even to children who merely sense something else beneath the surface of the story" (Littlefield 58). This allegorical means includes a populist message related to countering the gold standard, with chapiter as the Emerald City:

According to Littlefield, Baum, a re make tending(p) Democrat who supported William Jennings Bryan's prosilver candidacy, wrote the book as a parable of the Populists, an allegory of their failed efforts to reform the nation in 1896. "Baum never allowed the consistency of the allegory to take precedence ove

the theme of youthful entertainment," Littlefield hedged at one point; "the allegory always remains in a minor key." Still, he concluded that "the relationships and analogies outlined above . . . are far too consistent to be cooccurring"(Parker 49).

Harmetz, Aljean. The Making of the wizardly of Oz.

New York: Delta, 1977,

The book therefore embodies galore(postnominal) of the social forces and political concerns of the turn of the century when it was written, and Baum faced the take exception of a new century in a real optimistic way. This is part of the spiritual message of the book, given that in the end, all of the characters achieve their goals not because they are handed gifts further because they find a intensity within to succeed on their own. This is the primary message of the book and one that has contributed to its success form the time it was published to this day. The book shows that such inner strength is indeed more real and stronger than magic, and this is the power of the story.

Littlefield, Henry M. "'The Wizard of Oz': Parable on Populism." American Quarterly (Spring 199
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