The few bloodline members of the community we meet own bars where the payoffs to the cops cause them to turn away away from the serving of alcohol to minors. The establishment owners excessively cede the drug trade to pervade their establishments regardless of the age of those travel rapidly or using drugs. Other social institutions, like parents are gener bothy depicted negatively in the novel, like Firebug's flummox who relishes burning Firebug as a punishment. Miguel's own contract would beat he and his mother. While Catarina and Nelo are portrayed as helping Miguel and having genuine concern for his welfare, often they are portrayed as be insensitive to the actually issues that plague him or domineering to the point of turning him off and away from them. Cristalena offers Miguel real concern for his health, she hates his smoking, and she is able to hear his issues without judging him on them. This allows them to rude up a real dialogue and build a real relationship, one based on trust, friendship, and love. Thus, love appears as the only real social institution capable of nurturing and care.
spidertown is a neighborhood in the South Bronx run by cracklord Spider. Miguel is a runner for Spider's crack t
rade, a six teenage year old who enjoys the cash, car and freedom of being a drug runner until he falls in love with a straight girl with the name of a poem, Cristalena. The story revolves around the lives of a gang of street posses comprised of teenagers who also happen to be crack addicts, sexually promiscuous, and murderers.
Miguel lives with Firebug, another teen drug runner who does whatever it takes to survive in the unwarranted environment including using his friends and enemies equally and making money as an arsonist. Amelia is a crack addicted on-and-off again college girl who fucks Spider for crack and Firebug because she likes his dick. However, she knows Miguel better than he knows himself "How was it that she could say all those things that he was thinking, word for word, the doubts, the questions, the decisions? She was amazing. Like a part of him that was after-school(prenominal) of him" (Rodriguez 315).
Rodriguez, A. Spidertown. New York, Hyperion, 1993.
For Miguel the recognition has come to late. He is shot because of his take on to believe in Spider's humanity. The void he feels from discovering there is no(prenominal) begins to be filled from the love of those who have it: Catarina, Amelia, Nelo, and Cristalena. He accepts the boundaries of the guild he formerly rejected because he wants the community it offers and the security in contrast to street life "There were no
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